Download live a live release date remake2/22/2024 ![]() I didn’t DJ, I didn’t collect records or sample them. And I would still say EBM was very much the early days of techno, without the melodic aspect. I’m not going to say I invented Detroit Techno. So in those early days, I was referencing the melancholy vibes and melodics of Depeche Mode and the energy of Nitzer Ebb and Kraftwerk. I definitely wouldn’t have heard of it because, in Jönköping, we just had a state-owned radio channel called P3 which would only sometimes play club music. ![]() So you were making Detroit Techno before you’d even heard of it? Eventually, they pointed out that the music I was creating was called Detroit Techno. But I did have a few friends that were regularly buying records. There was no internet back then, and hardly any magazines so I just learned to make music on my own. Growing up in a small city called Jönköping outside of Stockholm I didn’t really have other people to bounce ideas and learn from. He’s the man behind one of Detroit Techno’s most iconic anthems - ”Groove La Chord”. The Iranian-born producer does, after all, know a thing or two about making hits. So what if we instead tried to recreate a record that was already a hit? If we endeavor to do exactly what was done before, would the results be the same? Can we capture lightning in a bottle twice? We asked Aril Brikha if he wanted to give it a try. ![]() ![]() Whatever the truth is, it’s clear there is no definitive answer to this age-old question. The ancient Greeks believed that unconscious bursts of creative genius came from Muses - the goddesses of literature, science, and the arts. What is the formula for making a hit record? Is it a balance of talent, inspiration, and years of practice? Or is the process simply a matter of luck, or perhaps even the result of some higher powers at work? Romantic poets such as Coleridge and Shelley believed that in order to receive artistic visions, the soul had to be attuned to divine or mystical "winds". ![]()
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